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in an attractive picture taking collection, mummy and child, ji jing and jia zhi, capture themselves standing up nude before left behind, ruined internet of china. the project intends to discuss the amazing energy of the time with an urgent, raw, however beautiful strategy.
among the working area of abandoned changzhou studies trial center of coal research institute (established in 1978) all imagery thanks to ji jing
ji jing and jia zhi include obsessed with the ruins for not really similar reason. for all the mummy, the old world whoever presence are proven from the wrecks is actually usually the one she experienced myself. at the same time, the child has continued to develop a solid curiosity about reports on which happened, what brought about individuals to put, what happened to the someone after making. for her, the wrecks do not best mirror the changes of a complete period, but an accumulation actual, personal tales of several people.
the picture taking collection explores the ideas of impermanence and transience of issues in the field, in power period. into the graphics, the damages is represented in a similar manner, because products period, indicating the existence of possible that passed away. ‘the ruins contain the enticement of passing, but in the end, they haven't yet completely turned into mud’ ji jing and jia zhi express.